
The Noble Sissle Swingsters sessions are some of Sidney Bechet's best work. All of the songs from these sessions are classics of small group Swing. Bechet himself cited Sweet Patootie as one of his best records. |
| Title | Recording Date | Recording Location | Company |
| Blackstick
(Sidney Bechet) |
2-10-1938 | New York, New York | Decca 2129 B 3865 B |
| Characteristic Blues (1)
(Sidney Bechet / Noble Sissle) |
4-16-1937 | New York, New York | Variety Vocalion 3840 |
| Characteristic Blues (2)
(Sidney Bechet / Noble Sissle) |
4-16-1937 | New York, New York | Swing Vocalion 3840 |
| Okey-Doke
(Sidney Bechet) |
4-16-1937 | New York, New York | Variety Vocalion 3840 |
| Sweet Patootie
(Rogan / Williams / Alexander) |
2-10-1938 | New York, New York | Decca 7429 A |
| Viper Mad Vocal Chorus by O'Neil Spencer (Sidney Bechet / Williams) |
2-10-1938 | New York, New York | Decca 7429 B 3521 A |
| When The Sun Sets Down South (Southern Sunset) (a)
(Sidney Bechet / Harry Brooks) |
2-10-1938 | New York, New York | Decca 2129 A |
| When The Sun Sets Down South (b)
(Sidney Bechet / Harry Brooks) |
2-10-1938 | New York, New York | Brunswick 80132 |
| Artist | Instrument |
| Billy Banks | Vocals |
| Sidney Bechet | Clarinet, Alto Saxophone |
| Clarence Brereton | Trumpet |
| Harry Brooks | Piano |
| Wilbert Kirk | Drums |
| Jimmy Jones | Bass |
| Jimmy Miller | Guitar |
| Noble Sissle | Vocals, Leader |
| O'Neil Spencer | Drums |
| Gil White | Tenor Saxophone |