by Verne Buland
The story of the Ragtimers is short, brilliant, and the wind-up is anything but happy. It starts in a hospital and ends against a dead end. But in-between there were some great times and great music. The start of the Swing age found Muggsy Spainer with a comfortable chair in Ben Pollack's Orchestra. For two years he lived gloriously, too gloriously in fact, for on January 29, 1938, he collapsed in New Orleans. Only his terrific will to live and the skill of Dr. Ochsner pulled him through a lengthy stay at the Touro Infirmary, although there were times when it was "certain" he'd never live again, much less blow his horn. He managed to do both, and the success of his comeback was climaxed when he opened at the Sherman Hotel's Old Town Room on April 29, 1939, with his Ragtime Band. For six months it was wonderful there, but then it was time to move on. They moved to Nick's in New York. But after that there was no place else to go; the band was too small. By 1940 the big, bigger and biggest Swing bands were all the rage, while the Dixieland revival was just cranking up. Muggsy had nothing to do but give in to the times, and he returned to his old meal ticket, Ted Lewis. Relaxin' At The Touro, which became the band's theme, was written to commemorate Muggsy's sojourn at that now-famous institution. For many years a myth has been making the rounds about a so-called "First pressing" of the record Relaxin' At The Touro being imbedded in a wall at the Touro. Catherine C. Kahn, Touro Infirmary Archivist says that Muggsy was brought into Touro by busboys from the Blue Room, near death, and saved by several fine surgeons: Dr. Donovan Brown, Dr. Gordon McHardy and Dr. Alton Ochsner. They have numerous memorabilia about Muggsy, photographs taken by Dr. Cohen, when Muggsy returned to the hospital to thank the staff, and Cohen took the famous picture of Muggsy, playing his horn flat on his back on a gurney. What they don't have is a record in the wall or floor. They've never found anyone who has actually seen a record in the wall or floor. They have a plaque on the wall to commemorate Muggsy's stay in the hospital, perhaps that got confused with a record in the wall.

Title Recording Date Recording Location Company
At Sundown
(Walter Donaldson)
11-22-1939 New York, New York Bluebird
At The Jazz Band Ball
(Larry Shields /Nick LaRocca)
11-10-1939 New York, New York Bluebird
Big Butter And Egg Man
(P. Venable / Louis Armstrong)
7-7-1939 Chicago, Illinois Bluebird
Bluing The Blues
(Henry Ragas)
11-22-1939 New York, New York Bluebird
(Sam M. Lewis / Joe Young / Harry Akst)
12-22-1939 New York, New York Bluebird
Dipper Mouth Blues
(King Oliver / Louis Armstrong)
11-10-1939 New York, New York Bluebird
(J. Russel Robinson)
7-7-1939 Chicago, Illinois Bluebird
I Wish I Could Shimmy Like My Sister Kate
(A.J. Piron)
11-10-1939 New York, New York Bluebird
Livery Stable Blues
(Ray Lopez / Yellow Nuņez )
11-10-1939 New York, New York Bluebird
Lonesome Road
(Gene Austin / Nathaniel Shilkret)
12-22-1939 New York, New York Bluebird
Mandy, Make Up Your Mind
(Grant Clarke / Roy Turk / George W. Meyer)
12-22-1939 New York, New York Bluebird
Relaxin' At The Touro
(Muggsy Spanier / Joe Bushkin)
11-22-1939 New York, New York Bluebird
Riverboat Shuffle
(Mitchell Parish / Hoagy Carmichael / Dick Voynow / Irving Mills)
11-22-1939 New York, New York Bluebird
Someday Sweatheart
(Benjamin Spikes / John Spikes / Jelly Roll Morton)
7-7-1939 Chicago, Illinois Bluebird
That Da Da Strain
(Medina / Dowell)
7-7-1939 Chicago, Illinois Bluebird
(What Did I Do To Be So)
Black And Blue

(Andy Razaf / Fats Waller)
12-22-1939 New York, New York Bluebird
Artist Instrument
Bernie Billings Tenor Saxophone
George Brunis Trombone, Vocals
Joe Bushkin Piano
Nick Caiazza Tenor Saxophone
Don Carter Drums
Bob Casey Cornet
Rod Cless Clarinet
Marty Greenberg Drums
Pat Pattison Bass
Ray McKinstry Tenor Saxophone
Al Sidell Drums
Muggsy Spanier Cornet
George Zack Piano