|
| Title | Recording Date | Recording Location | Company |
| All Or Nothing At All
(James S. Rule) |
8-25-1922 | New York, New York | Okeh 4693-A |
| Angel Child | 2-1922 | New York, New York | Okeh 4546-B |
| Building Love Castles | 7-1922 | New York, New York | Okeh 4640-B |
| Coo Coo (From the Musical Comedy, "Bombo") (Al Jolson / B.G. De Sylvia) |
7-1922 | New York, New York | Okeh 4640-A |
| Don't Forget | 3-1922 | New York, New York | Okeh 4574 |
| Eyes (Until You Looked At Me) | 3-1922 | New York, New York | Okeh 4574 |
| He May Be Your Man, But He Comes To See Me Sometimes
(Lemuel Fowler) |
1-15-1923 | New York, New York | Okeh 4774-A |
| Jump Steady Blues | 8-1922 | New York, New York | Okeh 4655 |
| Meet Me Next Sunday (I'll Wait For You) (Jack Snyder) |
8-25-1922 | New York, New York | Okeh 4693-B |
| Pharaoh Land | 8-25-1922 | New York, New York | Okeh 4717 |
| She's A Mean Job
(Jimmy Selby) |
2-1922 | New York, New York | Okeh 4546-A |
| Sing-Song Man | 8-1922 | New York, New York | Okeh 4655 |
| The Broadway Strut | 8-25-1922 | New York, New York | Okeh 4694 |
| The Thief | 1-15-1923 | New York, New York | Okeh 4778-B |
| 'Way Down Yonder In New Orleans
(Henry Creamer / J. Turner Layton) |
1-15-1923 | New York, New York | Okeh 4778-A |
| Whoa, Tillie, Take Your Time
(Henry Creamer / J. Turner Layton) |
1-15-1923 | New York, New York | Okeh 4774-B |
| Artist | Instrument |
| George Kelley | Director |
| unknown | Trumpet, Trombone, Saxophones, Violin, Piano, Banjo, Bass Brass |
