|
| Title | Recording Date | Recording Location | Company |
| Alabamy Bound
(B.G. DeSylva / Bud Green / Ray Henderson) |
6-1925 | Chicago, Illinois | Paramount 20400-A |
| Back Alley Rub
(Jimmy Blythe) |
6-1925 | Chicago, Illinois | Paramount 12287-B |
| Blue Eyed Sally
(Al Bernard / R. Rusell Robinson) | 5-1925 | Chicago, Illinois | Paramount 12288 |
| Brand New Charleston
(Benton Overstreet) |
2-1925 | Chicago, Illinois | Paramount 12265-B |
| Clarinet Getaway
(Jimmy Blythe) |
6-1925 | Chicago, Illinois | Paramount 12287-A |
| Drunk Man's Strut Jimmy Blythe at Piano Jasper Taylor on the Washboard (Jimmy O'Bryant) |
11-1924 | Chicago, Illinois | Paramount 12246-B |
| Georgia Breakdown
(Jimmy Blythe) |
4-1925 | Chicago, Illinois | Paramount 12277 |
| Hot-Hot-Hottentot
(Fred Fisher) |
6-1925 | Chicago, Illinois | Paramount 20400-B |
| Midnight Strutters Jimmy Blythe at Piano Jasper Taylor on the Washboard (Jimmy Blythe / Janice Blythe) |
3-1925 | Chicago, Illinois | Paramount 12260 |
| Red Hot Mama Jimmy Blythe at Piano Jasper Taylor on the Washboard (G. Wells / Bud Cooper / Fred Rose) |
11-1924 | Chicago, Illinois | Paramount 12246-A |
| Skoodlum Blues
(Jimmy O'Bryant) |
3-1925 | Chicago, Illinois | Paramount 12260 |
| Switch It, Miss Mitchell
(Jimmy Blythe / Williams) |
7-1925 | Chicago, Illinois | Paramount 12297 |
| The Joys (Slow Motion Special)
(Robert Shoffner) |
7-1925 | Chicago, Illinois | Paramount 12297 |
| Washboard
(Jasper Taylor) |
2-1925 | Chicago, Illinois | Paramount 12265-A |
| Artist | Instrument |
| Jimmy Blythe | Piano |
| Ruth Coleman | Vocals |
| Jimmy O'Bryant | Clarinet |
| Bob Shoffner | Cornet |
| Jasper Taylor | Washboard |
