Hardcore might be the best way to describe the Blues singing of Lucille Bogan. While many of the Classic Blues singers of the 1920s tackled risqué and controversial issues in their songs, Bogan almost exclusively focused on explicit sexual themes, like prostitution, adultery and lesbianism, and social ills such as alcoholism, drug addiction and abusive relationships. She was born in Mississippi but grew up in Birmingham, Alabama. In 1923 she made her first recordings in Atlanta, Georgia. The records apparently didn't sell well because she didn't record again until 1927 for the Paramount and Brunswick labels after moving to Chicago. Between 1933 and 1935 she performed and recorded under the pseudonym Bessie Jackson and worked with pianist Walter Roland. Bogan's recording career came to an end in 1935 and she eventually returned to Birmingham where she reverted to her real name and performed in and managed the group Bogan's Birmingham Busters but did not appear on either of the group's records. In the late 1930s or early l940s, Bogan moved to the West Coast. She died in Los Angeles in 1948 of coronary sclerosis.