| Title | Recording Date | Recording Location | Company |
| Bearcat Stomp (2)
(Don Redman) |
8-23-1926 | New York, New York | Victor 20307 |
| Bearcat Stomp (3)
(Don Redman) |
8-23-1926 | New York, New York | Victor 20307 |
| Hot Notes (1)
(Rodermich / Scatterfield) |
8-11-1926 | New York, New York | Victor 20460-B |
| Hot Notes (2)
(Rodermich / Scatterfield) |
8-11-1926 | New York, New York | Victor 20460-B |
| How Could I Be Blue (2)
(Daniel Wilson /Andy Razaf) |
8-9-1926 | New York, New York | Victor 20307 |
| How Could I Be Blue (5)
(Daniel Wilson /Andy Razaf) |
8-9-1926 | New York, New York | Victor 20307 |
| Nightmare (1)
(Riley /Handler / Meyers) |
8-23-1926 | New York, New York | Victor 20182 |
| Nightmare (2)
(Riley /Handler / Meyers) |
8-23-1926 | New York, New York | Victor 20182 |
| Senegalese Stomp (1)
(Clarence Todd) |
8-23-1926 | New York, New York | Victor 20182 |
| Senegalese Stomp (2)
(Clarence Todd) |
8-23-1926 | New York, New York | Victor 20182 |
| Senorita Mine (1)
(Clarence Williams / Fats Waller) | 8-11-1926 | New York, New York | Victor |
| Stampede (1)
(Fletcher Henderson) |
8-9-1926 | New York, New York | Victor 20460-A |
| Stampede (7)
(Fletcher Henderson) |
8-9-1926 | New York, New York | Victor 20460-A |
| Artist | Instrument |
| Leon Abbey | Violin, Leader |
| Demas Dean | Trumpet |
| Henry Edwards | Tuba |
| Ramon Hernandez | Clarinet, Tenor Saxophone |
| Carmelo Jari | Clarinet, Alto Saxophone, Baritone Saxophone |
| Willie Lynch | Drums |
| Otto Mikell | Clarinet, Alto Saxophone |
| Gilbert Paris | Trumpet |
| Jules Reevy | Trombone |
| Freddy White | Banjo, Guitar |